Category Archives: Arts: Storytelling

Henry Taylor: A Quaker Poet Departs — A Holiday Read

Late  one spring morning in 1986, I was creeping along the edge of Ox Road, Virginia route 123, driving with one hand, and shoving mail into the boxes on posts with the other.  I was a substitute rural mail carrier,  working a route just south of the seemingly nonexistent town of Fairfax Station.

FairfaxStation-VA-Sign

Beyond the mailboxes, prefab McMansions were going up on every side, as fast as the builders could hammer them together.

It was the second year of Ronald Reagan’s second term, and the woods along Ox Road were swarming with smalltime winners in the stampede for the billions  that the Gipper and his cronies were shoveling into a grand military buildup. The new settlers were devouring the woods along Ox Road like nuclear powered termites. Their contract profits were  pouring with the concrete under the rows of McMansions, markers of their status as suburban arrivistes.

My Malibu wagon, for postal work. (I didn’t wear a tie delivering the mail.)

Reagan’s frantic rearmament was meant to drive the Evil Empire of Communist Russia into bankruptcy and oblivion trying to match it.

The bankruptcy drive was ultimately successful, but the big plan soon capsized like the Titanic after the iceberg, sunk by the unexpected vigor of the aftermath:  who could have suspected that the Commies’ dark oblivion would turn out to be a den full of new monsters?

Continue reading Henry Taylor: A Quaker Poet Departs — A Holiday Read

New Issue of a Quaker Arts Journal — Now Online

Can art help us get through (and bear witness in) hard times? 

The Fellowship of Quakers in the Arts (aka FQA) thinks so. A new example is the just-published issue of FQA’s journal, Types & Shadows, (aka T&S) online right now, right here.

T&S was launched in 1996, the new issue is #101, for Autumn 2024. In its pages you’ll find stunning color photography, striking poetry, a historical Quaker novel excerpt and arts reporting.

For a long time, Friends shunned the arts (more on this here, in FQA‘s free online pamphlet Beyond Uneasy Tolerance ).
But today the arts seem to be thriving among us.

This is always good news. (An archive of earlier T&S issues back into the 1990s is here.)  But it could be even better in hard times. In 2017, FQA sponsored a project, “The Art of Fearlessness,”  as a response in a similarly turbulent period. Continue reading New Issue of a Quaker Arts Journal — Now Online

Saving Obama In Selma 2015: For Reading When You’re Not Thinking About Milwaukee

Durham, North Carolina, and Selma, Alabama

In the autumn of 2014, still settling into retirement in Durham, a question began nagging at me: was Barack Obama going to get shot in Selma Alabama the following March?

Now stay with me: was I just being more than normally paranoid?

Consider: March 7, 2015, would be the 50th anniversary of the first march for voting rights over the Edmund Pettus Bridge out of Selma, headed for the state capitol in Montgomery.

When that march was attacked by deputies and state troopers, images of the melee were flashed around the world as “Bloody Sunday.” I was there (and recount it in the memoir, Eating Dr. King’s Dinner). Even though my Bloody Sunday assignment was to march with a second contingent — which didn’t happen because of the assault on the first — the experience left its marks on me as well. Continue reading Saving Obama In Selma 2015: For Reading When You’re Not Thinking About Milwaukee

From “Tell It Slant,” Excerpt #2: Encouraging Rejections

(Excerpt #1 is here.)

In the spring of 1956 — Chuck was in eighth grade — orders came for the family to  leave an Air Force base in California. His father, now a major, was aircraft commander of one of the largest bombers ever, the B-36.

Click was assigned to join a squadron of these bombers at Ramey Air Force Base, in the northwest corner of Puerto Rico. These planes flew long missions — often reportedly carrying nuclear bombs — likely around the periphery of the Soviet Union and “Red” China, though their course was secret too.

Some of the Puerto Rico experiences were pivotal for Chuck, in several ways.

For one thing, since there was no local English-language TV service, Chuck was perforce obliged to wean himself from TV, and thereby transferred almost all his
free time to reading. Here he had help from the Caribbean climate and the Air Force: Puerto Rico was continually hot and humid, with frequent rainstorms (and a major hurricane, Betsy, in late 1956); air conditioning was still a rare luxury. Continue reading From “Tell It Slant,” Excerpt #2: Encouraging Rejections

Coming Tomorrow from “Tell It Slant”: Fighting for a Future

Wednesday June 12, I’ll post the first in a series of excerpts from Tell It Slant, the new biography of Chuck Fager by Emma Lapsansky-Werner.

It’s a story of life in “interesting times,” and begins with two of its main motifs — religion and war — shaping lives and events.

Watch  for  it  on this page.

(An initial post from June 10 is here.)

“CHUCK: It had been several years. When I arrived, my grandfather Fager was sitting in a simple rocking chair, on the small lawn in front of their tiny post-farm retirement cottage, in St. Paul, Kansas.

Lanky and taciturn, he wore much-faded overalls and a white straw fedora pushed back from his forehead. He rose to greet me, and said, “Hello Charles. Haven’t seen you in a day or two.”

Then he sat back down, began to rock slowly, and pulled out a pocketknife.

Unfolding the blade, he plucked a small dark stick from beside the chair and began to whittle it into curled fragments that skittered across his overalls down into the green grass. Sereta bustled back and forth from the house, and often made comments, but usually referred my queries to him.

It was not a productive conversation. To almost every question, his answer was the same, like a mantra, and this is it in full . . . .”