Dog Days: George & The Cottonmouth

This outhouse looked like the ones I used to see in magazine cartoons sometimes, built like a big phone booth of wide wooden boards, with a slanted roof and three small holes at the top to let the smell out. Inside was a flat bench seat with a hole in it.

The boards were sunburned a dark grey and sanded by the Kansas wind until the looping wood grain stood out in wavy ridges that looked like a giant’s faded fingerprints. I stepped in, pulled the door closed, and sat carefully down on the bench — yes, with a bare bottom.

Of course, my grandparents had a bathroom inside, now. But the outhouse had been used by them and most of their children, summer and winter, for a long time before. To my parents, of course, this was just an old leftover, something to ignore. But I had never been this close to one before. The bench felt warm and ridged, but worn smooth, and much more comfortable than the prickly couch in the front room. Resting there, it felt like I was traveling back in time.

I looked around and listened. The air was dim except for slivers of light coming through cracks between the boards. The outhouse smell was not as strong as it must have been once. Beside me on the bench a thick old Montgomery Ward catalog leaned against the wall. The curling pages were yellow and brown, and about half were gone, used long ago for toilet paper.

It was warm and stuffy in the outhouse, but the sense of mystery deepened as I sat there, as if I was listening to it, hearing something I couldn’t quite make out.

I sat there until a big horse fly started buzzed loudly around my head. The buzzing mademe think of wasps, and I wondered whether there were wasps nests under the bench. Wasps, you know, can sting and sting, and I suddenly thought there was probably nothing they’d like better than a fresh bare bottom.

That thought brought me abruptly back to the present. So I tore a crinkly page, finished and pulled up my pants, and watched the horsefly warily. When it lit for a moment on a dim rafter above me, I jumped and ran, banging the door behind me as I hurried past the edge of the field toward the barn.

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Getting Progressive With Sojourner Truth & Friends

Among the attenders was Sojourner Truth, the rough-hewn but singularly eloquent advocate for abolition.
She is what moved me to cobble together this post. Here’s what the minutes say:
Sojourner Truth, an emancipated slave mother, after uttering few impressive sentences, expressed herself as being deeply moved to sing, and she accordingly sung the following lines:
“I pity the slave mother, careworn and weary,
Who sighs as she presses her babe to her breast;
I lament her sad fate, all so hopeless and dreary,
I lament for her woes, and her wrongs unredressed.
O who can imagine her heart’s deep emotion,
As she thinks of her children about to be sold ;
You may picture the bounds of the rock-girdled ocean,
But the grief of that mother can never be told.

The mildew of slavery has blighted each blossom,
That ever has bloomed in her pathway below;
It has froze every fountain that gushed in her bosom,
And chilled her heart’s verdure with pitiless woe:
Her parents, her kindred, all crushed by oppression,
her husband still doomed in his desert to gay;
No arm to protect from the tyrant’s aggression.
She must weep as she treads on her desolate way.

O, slave-mother, hope! see — the nation is shaking!
The arm of the Lord is awake to thy wrong!
The slaveholder’s heart now with terror is quaking,
Salvation and Mercy to Heaven belong!
Rejoice, O rejoice! for the child thou art rearing
May one day lift up its unmanacled form,
While hope, to thy heart, like the rainbow so cheering,
Is born, like the rainbow, ‘mid tempest and storm.’”

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